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A man, in other words,who wears women's clothing--a cross dresser or transvestite--would bemuch more likely to keep such a secret than a woman would be.The closet is not an accidental prop. Magritte could have easily drapedhis nightgown over the back of a chair or across a bed as to havedisplayed it hanging in a closet or wardrobe. Therefore, the presence ofthe closet should be read as an important clue--and, perhaps, as the keyitself--to interpreting the meaning of these paintings. The closet isthe context. Its presence, and the nightgown's presence within it, isthe central image of these paintings, and, as such, it is the image fromwhich the other images must derive their significance.In this reading of Magritte's paintings, the closet is figurative andliteral at the same time, symbolizing the transvestite's lifestyle andhis need to hide his penchant for wearing women's clothing from others.The paintings suggest that he has either completed dressing for theevening and has put. How about at my house again, it seems most of you live not far.”“Yeah. I’ll get the word out. I’ll do a text and email. We’ll come fifteen minutes early?”“Sure. And I’ll provide the pizza and everything, too.”“Cool. See you later, buddy!” and she dashed off. Yeah, that girl seems to be dashing whenever I see her. What energy.In my history class, the unit we were studying led to a spirited discussion of how civil rights was manifested in various societies in Europe of the eighteenth and nineteenth centuries as compared to modern times. I pointed out that in societies that were ruled by a king, common people’s rights were never clear and could be violated by royalty’s whim, and in modern times, the same could be said by the high-handed way some government agencies operated, either through mismanagement or even under the authority of laws that could be interpreted to disadvantage some classes of the society. It seemed everyone was clamoring to give modern examples, and the Program.
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